So Pre Fall landed with a bit of a thud. There wasn’t that much happening on the runways that was terribly interesting. Perhaps the general lack of inspiring moments came from the designers now showing at different times? The industry has been facing a transition of its own lately where some designers – in an attempt to keep up with the immediate demands of social media addicted clients – are opting to hold off on showing until the moment they are ready to sell. Cutting the wait and allowing the public shop now. You may already be seeing little bags next to the designers name indicating you can buy it “direct from the runway” as opposed to waiting the traditional 3-4 months for promotion and distribution. Resulting in a large gap between shows of the same season. For example, Pre-Fall 2017 began showing as far back as November of 2016 and as recently as last week! Maybe this is why the designers are off their game. They are out of sync with the industry, the customers and the season.
I love well made, high quality clothes that you can just throw on. No brain required because some days I just can’t. I would like to buy and wear these all today. (See? No patience!)
There is a hint of the early 2000’s here with the slip dress and sweater set, but I don’t mind it because it’s looks modern. What’s interesting about that is that if you had slip dresses and sweaters from the nineties, now they would be validated as timeless and classic pieces. Its simple, chic, sexy and cool.
These feel more like Resort than Pre Fall but regardless of that how cute! Perfect for anything from vacation wear to an afternoon wedding. Young, spirited and like, bouncy? Yeah.
This collection is interesting because it has an avant-garde attitude yet the clothes themselves are innocuous. They aren’t drastic and attention seeking, in fact they are quite elegant and chic. They’re avant-garde for the cocktail class, in much the same vein as Vivianne Westwood. Plus I love the jewel tones, particularly the yellow and teal blue and especially in those rich fabrics. It’s all very art culture and could define the nouveau high society art scene.
In my mind I have classified Erdem as one of the more feminine houses. They tend to use florals regularly and cut more ladylike shapes so working in the seasons colors of pink and blue was no hardship. But I applaud them for taking things further with some volume in the silhouettes and by adding some bolder colors into the collection. While I do love the pale sequins looks, my favorite here is the yellow brocade gown. (I also really want the floral stockings)
I wonder how pissed off Erdem and Temperly were when they realized they both had pastel sequins gowns with floral appliques? That’s one hell of a coincidence. Though my favorite has to be the red and black print dress which is stunning and unique.
I would like to order the tiger skirt, the dragon topcoat, the pink chinoiserie print skirt and the red all over print dress. It’s so much but if you can cut though the glare the clothes are so insanely fun and chic. It reminds me of Todd Oldham in a way – the playful unashamed frivolity. It’s wonderful to see all this again – but I still can’t help but feel that the days are numbered when you go this big. I’m going to enjoy it while I can.
More so the ambiance than the actual clothes, although the dresses are pretty. These colors, the dusty shades of blue and gray and the deep red and pink cut into these overtly romantic tiered and ruffled gowns, they are so loud in their softness. They create a mood around them and it’s just lovely. I’m inspired to paint like an old master, Rembrandt or Willem van Aelst. The romance and richness are beautiful.