Tag Archives: For Restless Sleepers

Fall 2019 RTW

This is a crazy time for fashion. Well, it’s a crazy time – so it has to be a crazy time in fashion if fashion is doing its job. I would venture to say that not since the epic revolution of the late 1960’s has the world seen such upheaval and such chaos. Our culture is facing some harsh realities with the MeToo movement, LGBTQ revelations and setbacks, social media domination,  the political climate of all out war between Red and Blue, record breaking government shutdowns and Brexit. Fashion has been affected in various ways – as it should be and needs to be, where designers are choosing their topics to tackle on the runways. Some are more literal using phrases and images, some are subtle using silhouette and avant guarde, some are switching gender roles and so forth. The runways have been bananas, who knows where we will land.

Kes

Again, not an exciting collection – unless you’re into comfortable, practical, easy to throw on and go clothes. In which case – YES! This will do just fine. I’ve been on an unofficial hunt for a good jumpsuit in the style of the traditional Dickies men’s one piece and this one looks pretty good, not perfect but close and the long lean coats in rich fabrics are divine. These are good solid basics, cut well in high quality fabrics.

Vera Wang

I believe that after dominating the bridal market for so many years Wang has been in a position to be more experimental with her design. A few years ago her more commercial ready to wear line took a hard turn into almost avant guarde. Definitely more of a gothic/alternative vibe. The looks had purposely experimental and avant guarde elements like 5″ platforms with 9″ heels, or sleeves that came to the knee. She hasn’t tired of these elements yet either – as they appear in this current season too – but along side these hard to translate to life looks there are items that are easily wearable on the right woman. They speak of confidence and introduce a rare if ever seen before combination of edgy and elegant. Look at these pleated trousers – brilliant.

 

For Restless Sleepers

I looooove this line. They are doing something so wonderful in fashion. While everyone else seems to be clamoring for exposure, they are quietly creating decadent clothes in rich vibrant colors and sumptuous fabrics for women. Their use of traditional zoological and chinoiserie motifs has become part of their identity and you can count on seeing glorious elaborate prints in jewel tones covering luxe silks and satins. It feels like a banquet for the eyes full of classic elegance with a indulgent helping of eccentricity. I would live in these clothes if I could.

 

Luisa Beccaria

This collection is chocked full of light as air florals accented with delicate embroideries and layered with lovely silk velvets and faux furs. Not exactly screaming modern… not exactly screaming at all. This is in fact a whisper. There is a refreshing delicacy to this that feels like a spring breeze. It evokes a simpler time of beauty and fresh air and it has a kind of  literary romance element. I can’t really recall a specific piece or dress that stood out but the feeling of this collection is the takeaway. And it felt good.

 

 

Snow Xue Gao

This is the first I’ve seen of this designer and I am intrigued. I tend to gravitate to Asian influence in print and fabrics. The storytelling imagery and heavy jacquard silks in vibrant jeweltones or dusty shades are a long time favorite. I’m always excited to see them pop up on the runway. Here they have made some lovely wearable pieces, especially in the charming day dress and they have done something very interesting with the layering of the jackets. The contrast of the old and new in the plaids over the silks or vice versa. Its very thoughtful and I can’t wait to see more.

 

Simone Rocha

Simone Rocha is fearless and concise in her use of texture and embellishments. It shows true talent to be able to push into the territory of over designed but then pulling back at just the right moment. There is so much going on but it all fits together like a 4 dimensional puzzle. In the use of layering sheer with embroidered and sequined and solids she creates complex and multi level looks that are fascinating to behold. Last season I was impressed with the idea of layering over coats and this season seems to be a natural and successful progression of that idea.

Paco Rabanne

This collection was choked full of references to the past. There was 1930’s, 1940’s, glam, country, rock and many more. I for one love any old Hollywood reference so I was happy to see the bias cut floral dresses and embellished cardigans which are reminiscent of the ones I wore when I went through my thrifting phase in High school. It’s not forward or modern nor is it on the cutting edge. What it is, is expressive, playful and lighthearted, things we could all use a bit of right now.

Libertine

When London solidified it’s standing in the fashion world it did so by bringing the fun. It was the 1960’s and London was the new fashion capitol because they had a point of view that connected with youth, vitality, music – ultimately a feeling of a bright and shiny future. It did this by celebrating color and shape, experimentation and trends. Plastic dresses and go go boots, ultra minis and mod silhouettes. Libertine as a brand seems to honor this legacy of fashion from London in every collection. Often there are direct references to the 1960’s through icons and silhouettes, other times it’s the styling but it is always there and you kinda have to love them for it. This season was no exception.

Jeremy Scott

Is on a roll right now. Between this collection and his most recent for Moschino he is creating political, culture commenting, covetable fashion. When I say Fashion – it is in the most literal sense of the word. These clothes are of this specific moment in time and he’s nailed it.  This collection is straight from the headlines that dominate and corrupt our daily lives with their scandals and provocations. It is an overwhelming time and this collection shows how much we all live with it, wear it on our faces and our choices so why not on our clothes. No question this collection will be in a museum someday and if Scott continues on this trajectory he will be celebrated in the Met for his contributions in years to come.

 

Phuong My

Another new designer this season. I’m not sure who this customer is, perhaps an older lady in her 40’s at least but more like her mid 50’s, 60’s… who wants to be edgy but not look like shes trying to be 20. There is sophistication here for sure and the clothes are cut and proportioned perfectly. There isn’t a lot of variation in color or fabrics here and it could only be better if they offered some option for those who don’t want satin, or red and black. Its almost as if they had collected the most solid looks from the last 20 years as shown by the most forward designers and brought them all to one collection. Here we see that the full (exaggerated) hip, the asymmetric dress and the origami shapes (which are standard edgy fare) are some of the biggest influences.

Dolce & Gabbana

Over 100 looks that are at times retro and whimsical while covered in pattern and trope loi. I love it which is why Dolce & Gabbana have been a favorite of mine since high school when I pasted their advertisements on the walls. I love the world they have created; one full of heroines and theater, romance and glamour. Here they had a bit of a 1930’s – 1940’s old Hollywood element that I find irresistible. Not to mention that they seemed to have gotten the memo that women are wearing their menswear so they have featured some of the menswear on the ladies this season.

Alexander McQueen

Leather and lace, literally and figuratively. The contrast of hard and feminine has been a long running point of inspiration for McQueens’ Burton and she is featuring two extremes in this collection with great success. The addition of the punk element is also a standard but I love how she showed consideration of the movement in her embellishments. Punk invented what we call DYI bedazzling when they painstakingly hand studded cheap upholstery tacks through dense leather – which isn’t easy btw. At times even making clothes entirely with safety pins. She has one jacket in particular where she uses said safety pins to attach and embellish a exquisitely cut blazer with antique buttons. She also uses other “cheap” items as punks would have, like zippers, chains, snaps and hooks with deftness and honor.  It is no doubt her respect for the past and her Bristish culture that drives her design forward and it’s just brilliant.

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Fall 2018 RTW

The Collections were all over the place, which is great in the sense that there isn’t really any overbearing trend that everyone is following. It seems that designers are feeling that they can experiment more. Perhaps they are under the influence of the runaway success of Gucci and the emergence of the Maximalist movement? There were tons of techniques on display;  abstract silhouettes in New York, fabric manipulation through layering and patchworking in London, color and texture in Milan and in Paris you’d have thought everyone just pulled ideas out of hat. If you saw all the collections and your general takeaway was,”What the fuck was that?” you aren’t alone. It’s a bit of a mess out there and the designers really need to regain their focus and tighten it up. Experimenting is fun, and they have a lot of ideas but they can’t ignore that part of their job is to work those ideas into a single presentation through tough editing and refining. Fashion should do one or more of the following; challenge, provoke, titillate, intrigue or dazzle – it should not be confusing or make one wonder whether something was done on purpose. On the bright side there was quite an abundance of expression which feels like the start of a revolution. Can’t wait to see where they go from here.

Alice + Olivia

 I always look forward to seeing the collections from Alice yet am often left feeling like they just missed the mark. But not this season, this time it was just pure unadulterated fun. It was flashy and unashamed, full of frills and rhinestones and color, pattern, prints and shine, fantastic! It is inspiring me to be playful and dress up like the little girl in me wishes I would. And how badly do I want those striped sequins boots?!? Badly. Very badly.

 

No.21

Clothes for the alternative girl that makes you wonder where does she get her clothes? In my experience she’s usually the girlfriend of one of my boyfriends friends and she’s not actually that cool but she has this style that is impossible to pin down. It’s not goth, but its gothy, not grunge but she’s grungy, not punk but there’s a note of it in there and not rockabilly but her hair totally is and the cat eye glasses she always wears… It’s that  eclecticism which is built in to this collection.  Now you can go out and purchase that cultivated wardrobe all in one place, (not over years of scouring thrift stores, cherry picking oddball pieces from friends, even occasionally splurging on a new item from that cheeky little shop in SOHO like she did). It’s kind of sad in a way, that a designer can appropriate a personal style – even if she’s an amalgam. But I guess that’s what many designers do now that I think about it. Hmm….epiphany.

 

For Restless Sleepers

I love this designer. The colors and prints are sumptuous as well as the fabrics and draping. It’s like dessert…before bed.

 

Max Mara

This collection had wearable clothes for either the cool girl or the chic lady, which is hard to do in one outing but here it is. The leopard pencil skirts, long coats and camel staples could go either way and were styled to just walk the line between either customer. Pretty savvy from a marketing perspective. And being Max Mara you know it will be well cut and fit with quality fabrics and craftsmanship. Something for everyone here.

Coach 1941

The wooing of the hipsters continues to be in full swing at the house of Coach 1941. This time it was by way of a 1970’s hippie shaman vibe. There was Native American inspired topstitching and fringe that led nicely into the patchworked leather looks of the 70’s. Not typically my taste on either account but it was fun and felt different from what everyone else is doing – though there are many doing a 70’s revival, AGAIN. This was a fresh take and offered up some modern vintage feeling pieces that are covetable.

Simone Rocha

This collection is fascinating in its layering and play with silhouette. There is no shortage of things to look at and each look feels more like a composition than an outfit. It may not seem avant garde upon first look but there are definite moments where this is forward thinking and pushing beyond the norm. I especially love the printed/embroidered sheer fabric layered over the printed silks where the effect is 3 dimensional. There are also interesting choices in putting the dresses over the coats yet still styling them as wearing dresses and putting necklaces (crossbody necklaces) which are so cool and reminiscent of the English royal garb with their regal sashes and adornments. Overall this collection has a pomp and extravagant quality mixed with a street and almost punk attitude which is very much in the style of Vivianne Westwood and I dig it.

 

Dolce & Gabbana

Dolce and Gabbana are the Chanel of Italy. You can count on seeing variances of the corset dress in the same way you can count on the seeing Chanel suit. It is a perennial item in every collection and has solidified the idea of sexy when you think Italian fashion. There is always color, they are always bold and the accessories are a whole universe unto themselves. This world. is. defined. and continues to be exciting and inspiring every time we get a chance to glimpse it.


Rochas

Am I the only one who always get Rochas and Rodarte confused? They both always bring color and extravagance to the table but Rochas definitely brings the sophistication that (sorry) Rodarte is sometimes lacking. This collection had such a beautiful color palette; deep navy blue, rich celadon green, pale blush pink, gold, plum, and raspberry. I love these colors together and they played off each other brilliantly. The addition of glittering embellishments in floral motifs made the whole collection feel like it had a touch of otherworldly magic. Just lovely.

J.Mendel

So there was a lot of fur in this collection. We’re not ethically on board with fur but the collection was beautiful. Luxe fabrics draped expertly gave an overall feeling of opulence. There were some embellishments that took away from the elegance here and there (like feather hemlines and what looked like sheepdog fur trims, ick) but the long gowns were stunning and I suspect we might see a few at this years Oscars.

Oscar de la Renta

I cannot express how much I love what is happening over at the house of Oscar. It’s akin to the rekindling of spirit that is happening at another great house, Dior. These new designers,  Laura Kim and Fernando Garcia are doing such a beautiful and respectful job of reinterpreting the integrity, the grace, elegance and sense of absolute refinement that these houses were built on. This collection is another in recent seasons where there are old-fashioned techniques and classic silhouettes being reimagined for the modern woman who is seeking elegance.  She has the money to wear the best and she radiates sophistication. I love this. CONTEMPORARY ELEGANCE! At last!



Spring 2017 RTW

Is it just me or did the Spring offerings look more like Resort than the layerable looks we usually get for the season of crisp mornings and drizzly afternoons? The Pajama trend was still abound even though it has had a pretty good ride last year. There we plenty of light floaty dresses and thin tunics over palazzo pants – Resort right? Perhaps many designers are simply adding their resort items to the Spring lineup, or they just said fuck it and went for full summer wardrobes. Not sure, but it definitely felt off balance.

Hellessy

What I really love about these two looks is that I could probably wear them. No problem. Like, tomorrow. They would layer easily and they look comfortable and fluid. They could be accessorized with long necklaces, cropped jackets, sweaters, boots or sandals. They look easy, simple, but well made and quite lovely. Wrap ’em up!

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Stella Jean

Clothes for Carrie Bradshaw’s  hypothetical art school dropout little sister to wear on her vacation to Tahiti. Sex in the City had one of the best costumers in the business, Patricia Field and she is probably the reason why so many designers style their offerings in odd combinations and layers. I loved it then, when it was totally jarring in some instances and completely dumbfoundingly brilliant in others, and I love it here now. These clothes are playful, they are whimsical and they make me want to get crazy. Bravo.

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Gary Graham

Ever since I became aware of Gary Graham I have become an increasingly bigger fan. The clothes are interesting. The styling is decidedly cool girl where the clothes could border on being old lady hippie. The way they walk that line fascinates me and keeps me coming back to see what they have next. This time out there is a nifty group of dusty florals and bohemian made at home feeling silhouettes. Simple shapes, layered in interesting ways that result in something I’d expect to see on Lisa Bonet. Who is awesome btw. I wonder if she wears this designer?

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Pringle of Scotland

I’m not really into plaid this year but when I come back around I’m going to think these are fantastic. Love when plaid is used in atypical ways like this draped lilting chiffon fabric. The stripes are great too in the design of the print and the choices of layering.

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John Galliano

This season just as last season, there is a little hint of what we used to see in the lavish couture when Galliano was the head of Dior. Those were the days of Dangerous Liaisons esque drama with undertones of the Marquis De Sade. They were captivating. The wrapped and slung leather belts styled over the light floaty dresses are provocative yet tame enough to be accessible. The signature draping skills are in full force across shoulders and hips creating beauty in shape and form. Finally there’s a sprinkling of menswear that adds the edgy contrast that brings the cool factor. So good.

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Libertine

It’s hit and miss with Libertine as sometimes the embellishments don’t seem justified by the design. When it works though I’m a fan. Especially when they antagonize the Queen. Where would the English be without Punk Rock? My favorites here are the Union Jack dress and cardigan and the black silk slip dress. Love the contradiction of sexy and snarky.

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Alexander McQueen

What’s so captivating about this collection is that there are some many different inspirations happening all at once. Yet they all work together to create a striking and fresh Frankenstein. There seems to be some tribal, some India, some Hasidic Jew, some punk and some English heritage all carefully worked into this new creation. It’s so fitting that this cultural mash up come at a time when we are having a global cultural clash of sorts with refugees and new leaders wreaking havoc. To see how it can all come together into something totally new and how it can all compliment each other. Maybe I’m getting too in my head, but that’s what I see here and its fucking awesome.

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Haider Ackermann

Impeccable tailoring. Edgy. Coolest designer out there. It’s not out of the question that I may find myself staring a Haider Ackermann fan club. This man inspires such awe and devotion, he delivers time and again and it’s always contemporary yet stays relevant over time. These are forever clothes. We love you Hay ay der, oh yes we do-oo, we love you Hay ay der, and will be true…

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Cushnie et Ochs

Ba-Bam! Wow, someone call Chrissy Teigen cause these dresses are edgy and foxy all at the same time.

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Maticevski

Once again the play with volume is masterful. Like a sculptor who knows his medium, this designer has the ability to craft shapes that transcend clothes and become wearable art. After looking at this collection it’s difficult to appreciate other designers collections. The works shown here take your head out of the fashion bubble and into the gallery. It’s easy to see that this will become a new and exciting minimalist movement that will set the tone for the post embellishment era that is upcoming and inevitable.

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Antonio Marras

These outfits are striking. They immediately bring to mind a 1950’s socialite who set the trends. When she arrived at the party all the other ladies whispered their jealous disapprovals yet secretly wished they had the guts to wear something that different and ultimately fabulous.

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For Restless Sleepers

So this is a line of Pajamas. I didn’t get that right away because of the big PJ trend that’s been happening, but once I caught on it was like, GENUS! I fully intend to become a eccentric old lady who slinks about her elegant apartment admiring her collections from her travels and THESE will be my uniform. Not that I wouldn’t wear them now nor that I wouldn’t want every single one, because I do. I just couldn’t live in them as I plan on doing later. I wonder if they do layaway?

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Dries Van Noten

There is a decidedly 1930’s feel to the clothes but I cant put my finger on why my mind goes there. Perhaps the yellows and oranges against the creamy white and blueback? It has a vintage postcard feel that is so French and intriguing. That lovely serene woman with impeccable style and uniqueness. Je ne sais quoi indeed.

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Dolce & Gabbana

Before there was Alessandro Michele there were Domenico and Stefano. These designers have set the bar for playful, sexy, bright and spectacular. And they do it again and again and again. The have a seemingly endless well from which to draw inspiration. They have never let me down when it comes to dealing out showstopper piece after piece of elaborately decorated garments bags and shoes. There will always be roses, there will always be corsets and there will always be black lace and gold trim. You can count on it.  It’s like coming home to a baroque embellished yet quaint village in Sicily for a glass of vino and a dance.

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Gucci

I said that I would no longer get angry at Gucci for having so much damn fun with this historic house, but my immediate response is NO! Stop it!

Why? Why does it freak me out so much every time? I know it’s going to be madness and color and ridiculous animal sweaters with stripes and sequin and on and on. Maybe it’s because it feels like a cheap Harajuku brand, or that it’s haphazard and ultimately doomed to become a cliché? A cheap thrill? Yet it endures still. I think it’s because I love over the top, stripes and sequins and color and rhinestones and tat and glory and I can’t stand to see it abused with abandon. Knowing it can’t possibly continue on at this breakneck pace. People will tire of it, the novelty will wear off and that will be that. (sigh) I’ll be so sad to see it go. It’s just so fucking fun to watch, and I really do love those bags and shoes and printed skirts with skull butterflies and sequin tigers and starbursts and beads and satin ruby red bows on celadon green skirts….*passes out*

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