We really get to have the best time drooling over the fall collections. It is by far the biggest blowout of the year. The collections present complete wardrobes laced with epic backstories. Layers of sweaters and skirts, boots, jackets and coats and the gowns! Hooray for gowns; impossibly extravagant gowns, clean sleek gowns, embellished, layered, draped and dramatic – this is their time. This is fashions bright shining moment where designers bring us their earnest best. Day to evening, including outfits for every possible circumstance. The nail-biting, the ulcers and the sleepless nights all come down to that runway and it’s so exciting. There is so much to see this year, so much variation and so much great work that it was very difficult to edit it down to just these few.
Deconstruction had its trendy heyday about a decade ago so when we see it nowadays, you know the designer is a true devotee. This is their aesthetic not just a gimmick. And here it really shows. The use of the technique is thoughtful and designed which keeps it looking elevated and not shabby. The layering is beautifully done and enhances the garments’ proportions. While the color palette of black and white, neutral and utilitarian is true to the genre. My favorites are the jacket and coats, especially the white which compliments the all black uniform underneath with a hip result. (The shoes and jewelry are cool too.)
Aganovich gets me again. It’s still in need of refinement – there is something that is keeping it looking like design school level – not quite elevated enough yet. But they are definitely on to something and I’m still waiting to see them evolve…
The silhouettes shown in this collection are amazing. The volume is done with such precision that it doesn’t overwhelm the model even when that seems impossible. The proportions are perfect, the fit is impeccable, the result is ultra feminine and chic.
I love the subdued jewel tones and the theatric elements of this collection. Jeremy Scott is known for his unapologetic designs which are usually more satirical and pop culture centric. The pop culture collections don’t interest me much but this one gets me solely on its charred dresses. (Although the day of the dead tails are cool on their own) The Dresses themselves are pretty but then he stets them on fire and they are suddenly tragic and punk all at the same time. No doubt this is a very fun show to attend and though the theatrics and sparkle got me, but the rest of the collection was just meh.
If you are in your 20’s and in search of the perfect cocktail dress than Paule ka has got you covered. Well crafted and cut just right to evoke a playful simple charm.
Who wants to be snuggly, adorable and chic as that girl walking on the bridge over the left bank in Paris on a drizzly fall afternoon? I do!
The dusty colors and soft fabrics are lovely. The first dress is delightfully unusual in the combination of its metallic base and matte rusty-red detail. There is a sense of antique to the whole group that evokes nostalgia for feminine softness. It’s romantic and poetic and I find that irresistible. I love when the clothes transport you to another time and place.
So gloves have been making a comeback. Talk about nostalgia. They often look baggy and sloppy to me, and God forbid they be spandex ((chills)). I love these three looks though, despite the gloves. This is a confident woman and she means business. Erdem always has florals and this print is one of the coolest they have done. The metallic and the green against the matte black background is dangerously close to looking upholstery yet reads as very sophisticated here, especially in the Asian style dress. The coat is borderline muppet but is saved by the graphic pattern of the fur. The shoes are fantastic too!
There is something very unique about this designer. Nothing he does looks derivative – at least of nothing I’ve ever seen. He has such an original point of view that I can’t help but be intrigued. Where does he get his ideas? How does he come to his design resolutions? The choices are not obvious. They are in fact distinctive in their obliqueness. Whoa, I am overdosing on the vocabulary words. Just goes to show what an inspiration a unique perspective can be.
It’s still an embellishment bonanza over at Gucci and I can’t say I don’t like it. There are SO MANY IDEAS here, it’s insane. It’s as if the designer has just been holding all of these colors and patterns and images in his head until he finally just exploded all over the workroom. There is chinoiserie, there is disco, there is every conceivable era from the 1900’s all the way through to 2015. What can be said? There are pieces I love here and there and little jems hidden amongst the Where’s Waldo–esque chaos. I cannot imagine wearing it all together but mixed into a wardrobe, paired with some basics. For example a black camisole with those sequins pants would still stand out without going over the top. Or the Jacquard coat with good old jeans. And it may sound crazy but that tiger bag could be an everyday item. At least it would be if I got my hands on it.
I love this interpretation of bohemian. It feels very authentic and not like costume for once. It’s decadent and full of rich fabrics, sensual textures and jewel tones. The teal blue with the deep green is such a stunning and rich combination. And who can forget the stunning yellow Beyoncé gown which is now iconic?
One of the best things about this collection is the styling. It is an excellent guide for how to dress something down. Yes, you can dress down sequins and you can dress down gowns. It can be one of the coolest cool girl secrets you’ll ever learn. The second look featuring the belted beaded gown paired with boots and a scarf is the perfect example. That dress on its own could go to the Oscars, but how many people are going to the Oscars… Styled this way, dressed down it can go out to cocktails or even an afternoon of shopping and a late lunch. Brilliant!
Vivienne Westwood Red Label
Somehow Vivienne Westwood is always doing classic Vivienne Westwood. She has such a singular point of view which is never obstructed by trends or outside influence. It’s always just coming out of her head. It is so cool in there. I love that she shows slouchy yet tailored and masterly draped clothes time and time again. While not everything she designs is easily wearable, these four looks sure are.
Ooooh there is a little glimpse of the Galliano dandy from the days of Dior. The cheeky Louis XIV rapscallion. Obviously not with the decadence of Dior Couture. This is more of a wearable – I’m guessing from the shoes – street style dandy perhaps? But those dresses do have the same feel as the stunning concoctions he showed on those ladies of the court in the 1990’s.
Central Saint Martins
So these are student designs from the St Martins college, I don’t know who the designer is. That is a shame because these dresses are lovely and do not look like student work at all. The draping and cutting is perfect and in these shapes that it not easy to do. It takes a deft hand. Hope to see more from this designer – whoever they are!
I think my favorite thing about this collection is the color story. I’m dying to see burnt orange, teal blue and emerald green, navy and mustard yellow. Here is more of a muted version of those colors, but I’ll take it. So satisfying! I also love the first three dresses because they require little thought, no special underwear or accessories. You could just throw it on and go.
I wasn’t sure I needed to include these dresses because they aren’t really anything special, yet here they are, included. Is it that they are kind of simple? We have definitely seen them before. Perhaps it’s that they are wearable party clothes. Most anyone could wear these shapes and these styles. They aren’t exclusive to a thin girl, a busty girl, a cool girl or a conservative. From left to right they are clean, playful, a bit flashy and a bit sexy. Wouldn’t one of these work for that night out you have coming up? I think so, and you would look really good. Easy! That’s why they are included.
The first time I saw this collection I thought, “My dream prom come true. A stunning, elevated, gothic prom complete with fishnets and live orchids.”
When I was editing the post I looked at this same collection and thought “Were they going for 1930’s French hooker?”
What a difference a few months makes! In either case I still really like these looks, they are so overdone in the best possible way. All the elements have been worked out and come together in the looks. Even with so much piled on there isn’t anything completing for attention. You get to see it all because it’s cohesive.
This collection looks as if it is starting to borrow a bit from the menswear line – which I love because as much as I like the menswear collection for men, I love it more for me! So this works out very nicely, very nicely indeed. Plus the added bonus of the very cool striped dresses mixed in amongst the infamously cool Ackermann cropped jackets. The colors as always are a perfect palette of brushed metallics, earthy base tones (in this case green) and a shock of electric color (here it’s pink). Do you want to look edgy and still be the picture of sophistication and impeccable taste? Do you want to look cool without looking trendy? I sure as hell do. My adoration for Ackermann is not secret and he does it true to form every single time.
I just recently watched the Documentary The First Monday in May ( I highly recommend it btw) and there is a section of the film devoted to The Met’s Alexander McQueen exhibit. I marveled at the images. I realized that I had adjusted to Burton’s vision of McQueen and had almost forgotten his genus. He was a master at showing beauty and nature in all its rough and raw glory. He reveled in Natures brutality and was fascinated by her adaptiveness and fierceness. Burton is less dramatic and less in touch with that sense of awe and wonder for the world and now I feel almost disappointed. But is that fair? How do you follow a man who left no traceable path. He was truly inspired in the most pure form.
This collection by Burton for McQueen shows that she does honor his roots as best she or anyone most likely could. There are elements of romance, punk and natures wonderful display here and they are altogether cool and modern and spectacular. But I cant help but wonder how Alexander would have done it.
Dries Van Noten
So many designers this season and the previous few actually, have been showing pajama sets and leopard prints. So it’s nothing unusual or particularly exciting to see them here. What makes this collection stand out from all the rest is class. The word “classy” has always stuck in my craw a bit because only classless folk use the term “classy”. It’s really more of a slang term so it seems to negate the credibility of the compliment simply due to the perspective of the user. Here though it feels like a perfect fit because so many of the pajama looks and leopard prints being shown by other designers are a trendy version: a rock and roll version, a club version or a quirky hipster version. These clothes on the other hand, look elegant and expensive. They are high fashion, not trendy and marketable. No cheap commodities here – oh no. These are the clothes one aspires to wear. To be that park avenue woman who represents strength, intelligence and CLASS.
My first thought in seeing this collection is “Oh my god finally some new silhouettes from Valentino!” Without question Valentino has positioned itself as the bellwether for high fashion. Most every designer has elements (let’s be kind and say) inspired by what has been shown on the empirically impressive runway at Valentino. We can trace the illusion dress, the long fitted gown, the narrow shoulder and the turtleneck seen of late all back to this house. Not to mention the entire embellishment trend. They have been showing variation on these established powerhouse designs for at least 6 seasons now so it’s refreshing to see some new offerings that go in an entirely different direction. I love these fuller flyaway skirts and the lightness they bring. In fact lightness seems to be the theme of this collection which features feathers and clouds as motifs. The illusion dress has run it’s course so I’m excited to see where they go from here.