The buyer must be sweating it this season. As runway after runway sees models stomping down in experimental looks, abstract conceptualism and other evidence of designers either playing with fabric manipulation, expressing political opinions and outrage, going neo modernist and anything else you can think of. The idea of expression at any cost is rampant even when the cost is wearability and sellability. Neiman Marcus, Bergdorfs and even Nordstrom are going to be wringing their hands looking for the glamour for their society ladies and the wardrobes for the modern woman. Combing through all the art looking for viable fashion. In a retail environment where businesses are closing left and right can designers really afford to be artists and revolutionaries? I would argue there needs to be a balance of art and commerce where the designers that are steadfast will be seeing the rewards while the myriad others who let expression overcome practicality fall to the wayside. With so many voices screaming and clawing to be heard it all drowns each other out. Hopefully next season some of these will soften and try to incorporate their point of view into the clothes with more savvy, after all isn’t it the reflection of our times that turns clothes into fashion in the first place? But then again what better reflection of our current cultural climate than chaos?
Nothing exciting here, no newest and latest, no cutting edge or attitude. Just wearable, well made clothes that everyone can wear in real life. Practical and good. Thank God someone is doing it.
There is a classic 1940s Hollywood glamour to this collection that is irresistible. The full skirted dresses, the bright colors and silky fabrics all harken back to the era of I Love Lucy when they were in Hollywood. Lounging by the pool and sneaking around the Beverly Hills hotel looking for movie stars. A fitting retro collection from the new designer, as Herrera has always been synonymous with classic, sophisticated glamour.
This is the first time I have taken notice of this designer and I’m hoping I haven’t missed too much. These clothes are wearable, they look comfortable, they are practical and they have a chic ease to them that make them extremely versatile. Who doesn’t need that in their wardrobe?
At Libertine more is always more. This season was no exception. Patches made it onto just about everything – even stockings which has got to be a first – and pattern and color were on everything. I usually tend to like their less appliqued items and go for the more artistic pieces. This time my favorites were the painterly pieces and colorful graphic prints. How awesome would it be to pick one standout piece to add to your wardrobe from each season, have a curated collection of Libertine in the closet? A girl can dream – in color!
I’m not including this collection because I love the clothes. More often than not Jeremy Scott goes way too gimmicky and overboard but this time… Genius. The idea of making the sketch – literally making the sketch is brilliant. I don’t doubt that these items will be highly sought after and collectible for may years to come. This is an iconic collection. Bravo.
Sure there is a doll clothes reference here, but the silhouettes are so lovely. The bright satins and crisp edged sinuous lines are striking and feminine yet strong. I love this resolution of ultra feminine shapes and strong defined edges. The curves of the full ruffles, waves of fabric and the conflict of those elements is masterfully controlled.
As a longtime fan of the national dress of India this collection is a delight. It feels like the designer has taken that strong influence and sprinkled in some grunge shapes and styling and created a hip, fun and youthful collection showcasing the rich textures and colors of India. So great!
This is the first time I’ve noticed this designer, and it’s not that the clothes are that special, but as a group there is something so effortless and just cool about them. There is an understated confidence happening that feels inviting. For some reason I see the cool girl in these clothes – the Lisa Bonet type. That girl who just knows exactly who she is and doesn’t need nor does she care to explain.
This collection was full of fluid, flowing and dramatic pieces that have a dark romance. The styling is always theatrical but underneath all the theatre, the pieces are there. The stars of the show are the long button down shirts which work as dresses, jackets and…shirts! Remarkably practical and functional items that add a touch of that romance while allowing comfort and ease. There are also some breathtaking long lightweight coats that are perfect for adding instant drama.
Good solid collection of uptown, chic clothing for the evolved fashionable woman. Some interesting silhouette tweaking as in the pale blush dress with the bows, and the LBD that make them feel modern yet classic.
This designer has been a favorite for some time for their voluminous shapes and lovely exaggerated ruffles. Ruffles aren’t often modern feeling but the manipulation is so subtle and feels so natural – like water over rocks or fabric caught in an uplifting breeze yet the fabrics are not light and full of actual movement they are stable – like a moment stopped in time. The result is like a visual poem.
There have been a few changes over at Givenchy where this time last year it was being designed by Ricardo Tisci. He designed a bit on the dark side with themes like Vampires and Victorians and has always had a gothic undertone – in some of those cases overtone. He was a visionary and designed intricate, edgy, luxury garments that more than qualified him as a master. This newer designer, Clare Waight Keller, still has an edge to her design yet it’s not quite edgy and definitely not gothic. Personally I miss the drama of Tisci’s collections but I cannot dispute the fact that Keller is good. Maybe even better than good. Her Givenchy may not have the drama but it does have the glamour and upholds the sense that this woman – the Givenchy woman – is a woman of status and distinction. The star of this collection is the genus crystal shrug/cap/caplet whatever it is, little layering piece. I have never seen that before and it’s certainly a piece that is versatile (if you are in the high society world) while still being special. Looking forward to seeing what other genius pieces she will design.
What can I say about Noten that I haven’t already gushed? That he is my idea of the quintessential French designer – always chic, always totally unique and not giving a shit about trends. Always perfectly balanced design regarding proportion and fit. Always a strong point of view with a stunning use of color and print. Here again, he pulls off the definition of “jen ne se quios” with cool confidence.
As a woman who has always borrowed from the wardrobes of men this collection totally spoke to me. The looks were designed to be shared between the men and women and were designed to work for either. The prints were beautiful yet masculine, the cuts modern and perfectly tailored as usual except this time with a few more straight lines in the jackets and pants. Which only makes them look even more modern. The pops of bright yellow and green along with the ever-present black and white and the hint of a metallic seem to be a signature of late and come together seamlessly, no pun intended.
Hooooow can I express how much I love what is happening at the house of Oscar? It is everything that got me excited about fashion in the first place. It is clothing that is transformative. In the tradition of the great houses of Paris in the heyday of couture, these garments are simultaneously elegant, expressive, sophisticated and exquisitely crafted. These are clothes that those who are lucky enough to own them – or even borrow will instantly realize what an experience it can be to be dressed in the best of the best. The feeling of confidence, pride and transformation.