Resort had a lot of clothes. And despite there being so many designers showing collections for this often skipped season, there was not a lot of “fashion” happening. Perhaps it’s because designers are becoming more acutely aware of the need to be commercially viable? In any case most collections were full of reasonable options. Lots of pretty floral dresses, modern looking separates in black and white, some stripes, an occasional jumpsuit, some denim. Meh. Nothing to write home about, feels like we are waiting for the next big thing to hit. In the meantime, here are my favorites.
I’m digging the modern interpretation of a seventies sophisticate in this Chole collection. It’s not costumey or overly derivative. Modern and feels light, perfect for Resort.
You know, I bet I’d like some of these looks if I could actually see them. This trend of action posing, dance poses, leaping, what have you is really annoying. This is the line sheet – meant to show the clothes. Theatrics work on the runway because the models are in front of an audience who can see the garments in 360, and photographers who are choosing the best angles to VIEW THE CLOTHES. It does not translate in singular 2 dimensional, conceptual photos. I can tell there is something on the front of the gold gown but all I see is the zipper. WTF? Save the artistic interpretation for the ad campaign.
I love that Marris clearly reveres vintage clothing. The collections always have a dusty, I found a trunk of grandmas clothes and costume jewelry in the attic, what a find! kind of feel, yet there is always a cheerful quirkiness and sense of mischief about them. The colors are subtle and always mix wonderfully together. There are a lot of them too, so it’s quite a task to make all those patterns and colors and accessories harmonious, but they do it time and again. That’s the eye. A curated persona for an unusual and intriguing customer.
This is just a great collection for Resort. The fabrics are rustic where you’d want them, light where you’d want them with a touch of glam here and there. There are playful dresses for dinner and great outfits for a day of sightseeing and shopping for souvenirs. The colors are mellow yet cheerful and the shapes imply a lighthearted playful vibe.
Another collection where Resort is dedicated to the idea of being at an actual Resort. (Which makes the most sense to me.) There are some charming safari prints and a cool color palette of mustards and olive greens set against white. I don’t usually go for safari themes but these are done in almost a chinoiserie style which I do love, well done.
In this collection it’s easy to see that Erdem are masters of color coordinating and pattern design. I especially like this group for the overall darker palette which allows the touches of bright to shine. The retro silhouettes are always a favorite and are done here beautifully with an air of elegance. The gloves get to be a bit much though and in some cases kind of look like the model is off to assist with the birth of a baby calf… Other than that there seems to be a Spanish feel in the ruffles and one shoulder looks and the florals have a Café in Spain appeal. All in all there is a cool, feminine quality that is perfect for Resort.
You can always count on Elie Saab to bring the drama. I’m really into burnt orange, navy and celadon green at the moment so this was pretty satisfying. Saab took full advantage of Resort to get extra glamorous and design for the fantasy vacation. A yacht in the south of France… perhaps the Tahian islands…? Decisions decisions. However these are just a few from a large 48 look collection full of suits and jackets in leather, lace and knits, see the rest here.
Glamorous. Sophisticated. Elegant. Reem Arca stands firm here in her position as one of fashions premiere tastemakers. She has put forth an enviable collection of clothes worthy of seducing James Bond – or rebuffing his advances.